Sex dolls are often depicted in global media and entertainment, but the representation is rarely consistent. In many Western films and television shows, they are portrayed as comedic or exaggerated objects of desire. They may be used to highlight the absurdity of certain social expectations or as part of a critique on the commodification of human relationships. These portrayals often serve as satire, exploring how technology intersects with human intimacy.

In contrast, Asian media, particularly in Japan, often portray sex dolls as more romanticized figures, sometimes reflecting the cultural concept of “moe,” where individuals form deep emotional attachments to fantasy objects or characters. These representations often reflect a cultural tendency to blur the lines between fiction and reality, showcasing a more affectionate and less objectified relationship with the dolls.

The portrayal of sex dolls in media reflects broader societal attitudes toward sexuality and technology. While they are often portrayed humorously in the West, they can also be used to explore themes of loneliness, alienation, and the changing dynamics of human connection in an increasingly digital world. Regardless of how they are portrayed, the portrayal of sex dolls in global media highlights their growing presence in both real and fictional spaces.